QADRIYA' part II
ANN' in Saint P.
july, 2024
KINBAKU' series III
Continuing 'Kinbaku' series.
SOFYA'
Personal series
NASTIA'
in Saint P.
RANDOM'
random images from archives.
2017-2023.
DARIA'
KARINA'
at Stieglitz academy.
QADRIYA' part IV
continuing 'PLEASURES' series with Qadriya. Our forth shooting.
SOFYA'
Personal series
KATE' in abandoned garden
Personal series
DANCE AND THE CITY
The story tells about contemporary dance and its relationship with urban space in Japan. Choreography and performance: Ruri Mito
EMILY'
QUARANTINE STORY WITH EMILY LIND.
LIZ' - personal
tribute to Juergen Teller, one of my favourite photographers.
VASYA' personal series
SRI LANKA'
MARIE' for badlon magazine
RANDOM' works
Random works from different series + unpublished material.
KINBAKU' series II
Kinbaku uses rope to decoratively tie and restrain the body for the purpose of erotic pleasure.
STILL LIFE' series
still life series in abandoned barn, made of trash found nearby.
Block 252
I always wanted to take a series of photographs about the oil crisis in the world, and now it is more relevant than ever. The environmental consequences of oil spills are horrendous. Hundreds of thousands of inhabitants of the seas and oceans are dying. In cities, we breathe polluted air.
TOGETHER AT NIGHT ON THE STREET
Spontaneous shooting at night
KINBAKU' series
Kinbaku, meaning tight binding, is a type of Japanese bondage, appreciated for both its aesthetic and sexual appeal. The technique has its roots in the feudal Edo Era, but was not a sexualized art form until the twentieth century.
Kinbaku uses rope to decoratively tie and restrain the body for the purpose of erotic pleasure. Seasoned kinbaku masters or bakushi say the art takes years to master and is difficult to spot in the world of mass produced pornography today. Only in the West, the term shibari, which doesn’t refer to any specific type of tying in Japan, is used interchangeably with kinbaku.
QADRIYA' for badlon magazine
SOVIET FRENCH'
study on a female body and Russian kommunalka'
SIILK INTERVIEW
full interview: here
PLEASURES'
w qadriya
In this series i pay tribute to Francesca Woodman’s famous 'clothespin' photo.
'INVERTED CITY'
Reflections on the city and its fears. Fears of all kinds. Fear of being alone. Fear of space. Fear of cars. Fear of germs. Fear of going home after midnight. Fear of people, smells, sweat, deep water, subway, darkness…
These images are a kind of illustrated world of big city life fears. In the end, it’s all in our heads.
BALCONY' series
three days from the life of a bus stop and its surroundings.
in this series, I do what I love the most — watching people. their gait, manners, clothing, expressions when no one sees. I am an introvert and I enjoy watching more than being in a company.